NEWS

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How WarnerMedia Is Reinventing Virtual Events
The Hollywood Reporter
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The Raven Transforms Immersive Theater
Microsoft | In Culture
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World Premiere of The Raven
Film at Lincoln Center
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The Most Seductive Theater Scene in New York Right Now, a Visitor’s Guide
The Wall Street Journal
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The Overlook 2019 Immersive Creator Video Series (Part 1): Ava Lee Scott
NO PROSCENIUM
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Overlook 2019: Exploring The Immersive Track (A NoPro Adventure)
NO PROSCENIUM
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NoPro Podcast Episode 203 — Overlook Double Feature
NO PROSCENIUM
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The Best of The Overlook Film Festival 2019
COLLIDER
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Exclusive: The Overlook Film Festival has also announced its entire 41-film lineup
IndieWire
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The YEAR OF POE, a global collaboration mixing storytelling & emergent technology
Medium
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Ava Lee Scott: Is there a role for tech in building communities?
Interview with Microsoft
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2018 round up of 52 Immersive Things
Medium
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A Mystical Experience in a Hemlock Grove
Dead Central
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25 Immersive Creators and Companies to Watch in NYC
No Proscenium
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North Bend Film Festival Announces Annabellee in the First Wave of Titles
Collider
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Recognized for “Tennessee on Hudson” in The New York Daily News
Daily News
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All the Rave’n: Serenade
Theater Pizzazz
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Serenade Review “Regilding the Gilded Age in New York”
New York Times
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The Libido and Literature as Inspiration
New York Times
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Sleep No More
TESTIMONIALS
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EMILY WAS HERE: A Unique Experience Where The Brooklyn Bridge Is The Stage
Vents Magazine
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Tickets Now Available For EMILY WAS HERE – An XR Storytelling Experience On The Brooklyn Bridge
BROADWAY WORLD
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Storytelling NYC
BROADWAY WORLD
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Lyle Kessler’s One-Acts Join Chain Theatre’s Winter One-Act Festival
BROADWAY WORLD
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World Premiere of QUEEN OF JACKS to be Presented at The Chain Theatre’s Winter One Act Festival This Weekend
BROADWAY WORLD

The Odyssey Of Hope

“...not-to-be-missed World Premiere of the immersive and intimate art performance from Alba Albanese”

“It comes down to a longing for human contact...

...Today, everything is dehumanized by technology. We miss the intimacy of the Gilded Age — a handwritten letter, flowers at the door, giving a lock of hair, looking into someone’s eyes, feeling a human touch.

There is a void today, and people want connections. We want storytelling and poetry in our lives.”

She has a gift. She IS a gift, and one that hundreds and hundreds of people have been blessed to open and be opened by."

I was absolutely floored by Alba Albanese’s work in “Home of Enchantments.”

It’s a one-on-one experience where Alba plays a character named Belle, a spiritually gifted yet troubled individual who calls upon you to help her through an especially dark, trying situation.

It’s an extensive tale that requires a powerhouse performance from Alba that not only hits the beats of the story crafted, but also comes with interactive emotional elements that feel deeply personal. It’s a beautiful mix of making the participant feel vulnerable and on edge while also sending you on your way with a surprisingly full heart.

(And the fact that Alba conducted one of these shows after the next at Overlook is absolutely astounding.)"

Saunder Gusinow

Barbed Wire

“Creator Alba Albanese is exceedingly inventive; she’s taken the things most bothersome about immersive theatre and banished them from her work.”