NEWS

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A BROOKLYN DREAM
The Labyrinth
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The Odyssey of Hope
The Labyrinth
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World Premiere of QUEEN OF JACKS to be Presented at The Chain Theatre’s Winter One Act Festival This Weekend
BROADWAY WORLD
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Lyle Kessler’s One-Acts Join Chain Theatre’s Winter One-Act Festival
BROADWAY WORLD
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Storytelling NYC
BROADWAY WORLD
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Tickets Now Available For EMILY WAS HERE – An XR Storytelling Experience On The Brooklyn Bridge
BROADWAY WORLD
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EMILY WAS HERE: A Unique Experience Where The Brooklyn Bridge Is The Stage
Vents Magazine
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Sleep No More
TESTIMONIALS
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The Libido and Literature as Inspiration
New York Times
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Serenade Review “Regilding the Gilded Age in New York”
New York Times
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All the Rave’n: Serenade
Theater Pizzazz
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Recognized for “Tennessee on Hudson” in The New York Daily News
Daily News
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North Bend Film Festival Announces Annabellee in the First Wave of Titles
Collider
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25 Immersive Creators and Companies to Watch in NYC
No Proscenium
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A Mystical Experience in a Hemlock Grove
Dead Central
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2018 round up of 52 Immersive Things
Medium
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Ava Lee Scott: Is there a role for tech in building communities?
Interview with Microsoft
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The YEAR OF POE, a global collaboration mixing storytelling & emergent technology
Medium
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Exclusive: The Overlook Film Festival has also announced its entire 41-film lineup
IndieWire
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The Best of The Overlook Film Festival 2019
COLLIDER
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NoPro Podcast Episode 203 — Overlook Double Feature
NO PROSCENIUM
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Overlook 2019: Exploring The Immersive Track (A NoPro Adventure)
NO PROSCENIUM
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The Overlook 2019 Immersive Creator Video Series (Part 1): Ava Lee Scott
NO PROSCENIUM
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The Most Seductive Theater Scene in New York Right Now, a Visitor’s Guide
The Wall Street Journal
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World Premiere of The Raven
Film at Lincoln Center
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The Raven Transforms Immersive Theater
Microsoft | In Culture
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How WarnerMedia Is Reinventing Virtual Events
The Hollywood Reporter

“...not-to-be-missed World Premiere of the immersive and intimate art performance from Alba Albanese”

“It comes down to a longing for human contact...

...Today, everything is dehumanized by technology. We miss the intimacy of the Gilded Age — a handwritten letter, flowers at the door, giving a lock of hair, looking into someone’s eyes, feeling a human touch.

There is a void today, and people want connections. We want storytelling and poetry in our lives.”

She has a gift. She IS a gift, and one that hundreds and hundreds of people have been blessed to open and be opened by."

I was absolutely floored by Alba Albanese’s work in “Home of Enchantments.”

It’s a one-on-one experience where Alba plays a character named Belle, a spiritually gifted yet troubled individual who calls upon you to help her through an especially dark, trying situation.

It’s an extensive tale that requires a powerhouse performance from Alba that not only hits the beats of the story crafted, but also comes with interactive emotional elements that feel deeply personal. It’s a beautiful mix of making the participant feel vulnerable and on edge while also sending you on your way with a surprisingly full heart.

(And the fact that Alba conducted one of these shows after the next at Overlook is absolutely astounding.)"

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Saunder Gusinow

Barbed Wire

“Creator Alba Albanese is exceedingly inventive; she’s taken the things most bothersome about immersive theatre and banished them from her work.”